For example, wh上海乌托邦女神会所en the show was staged in the Basilica of San Giovanni Maggiore in
Naples, Italy, in 2017, Iacampo’s team used 3D scanning and mapping techniques to match their desig
ns to the interior of the historic structure, replicating their column designs with the real ones in the church.
Also on show at the exhibition at the National Museum of China is a re-creation of the su
bject of Van Gogh’s noted painting, Room at Arles. The painting depicts his bedroom, one of sev
eral rooms he rented in the building known as the Yellow House in Arles, southern France.
The painting is striking because of the contrast between its bright colors and sharp angles. The roo
m is also a testimony to a meaningful period in Van Gogh’s career: Not only did he aspire to m
ore freedom to his painting in Arles, but also, he invited his painter friend Paul Gauguin to stay and work with him. The
relationship between them gradually became tense and ended in tragedy when Van Gogh cut off his left ear lobe.
ow is the focus上海419论坛品茶微信 for Van Gogh: The Immersive Experience, an ong
oing exhibition at the National Museum of China that runs through Sept 22. Techn
icians have used cutting-edge technology to bring to life the work of the gifted artist through an all-encompassing pr
ojection display of images taken from more than 200 paintings and drawings from the artist’s oeuvre.
The 35-minute show is being staged inside a purpose-built rectangular box occ
upying a section of the spacious third-floor corridor of the National Museum of China.
The viewer first encounters Van Gogh through a space set out like a galler
y, in which the painter’s self-portraits are displayed on wall-mounted screens. Then the gal
lery changes into different scenes inspired by Van Gogh’s iconic works, where viewers “step inside” these fam
iliar landscapes. One moment, viewers are surrounded by blossoming almond trees, while the next, they watch cr
ows flying over expansive wheat fields. Overhead, a dreamy, starlit night sky unfolds.
In recent years, Van Gogh has been the subject of many popular interactive exhibitions at home and abroad, where digital t
echnology rather than the original paintings are used to offer an insight into the painter’s life and art.
d in demographi上海后花园女神会所c turnaround. It took just 46 years－from 1949 to 1995－to lift its people’
s average life expectancy from 40 years to 70.8 years, an accomplishment all the more admirable because China is still a de
veloping economy. As such, China has set a fine example for human development.
As a leading developing country, China has notably closed the gap with developed countries in terms of people’s life
expectancy and health. In fact, by 2015, Chinese people’s average life expectancy at birth had increased to 76.34 years.
Compared with the mortality rate, however, the changes in China’s fertility rate have been astoundingly rapid. China became a low fertility country toward the end
of last century with its total fertility rate dropping below the replacement the level in 1992 from 5.81, about 2.8 times of rep
lacement level, in 1970. China has had a fertility rate of about 1.6, equivalent to developed countries’ average, for quite a while.